Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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CARLEVARIS, Luca
The Bridge for the Feast of the Madonna della Salute gfh

ID: 05833

CARLEVARIS, Luca The Bridge for the Feast of the Madonna della Salute gfh
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CARLEVARIS, Luca The Bridge for the Feast of the Madonna della Salute gfh


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CARLEVARIS, Luca

Italian Baroque Era Painter, ca.1665-1731  Related Paintings of CARLEVARIS, Luca :. | Seascape | View of the Wharf from the Bacino di San Marco g | The Rialto Bridge d | Santa Maria della Carita sdf | The Reception of Cardinal Cesar d Estrees (detail) |
Related Artists:
Johannes Jelgerhuis
Netherlands (1770 -1836 ) - Watercolours
John Neagle
1796-1860 John Neagle Gallery Neagle's training in art began with instruction from the drawing-master Pietro Ancora and an apprenticeship to Thomas Wilson, a well-connected painter of signs and coaches in Philadelphia. Wilson introduced him to the painters Bass Otis and Thomas Sully, and Neagle became a protege of the latter. In 1818 Neagle decided to concentrate exclusively on portraits, setting up shop as an independent master. Aside from brief sojourns in Lexington, Kentucky, and New Orleans, Louisiana, he spent his career in Philadelphia. In May 1826 he married Sully's stepdaughter Mary, and for a time the son-in-law and father-in-law dominated the field of portraiture in the city. Neagle served as Director of the Pennsylvania Academy of Fine Arts, and was also a founder and president (1835-43) of the Artist's Fund Society of Philadelphia.
ZUCCHI, Jacopo
Italian Painter, ca.1540-1596. Jacopo Zucchi was an Italian painter of the Florentine school. Italian painter and draughtsman. He was trained in the studio of Vasari, whom he assisted in the decoration of the Palazzo Vecchio, Florence, as early as 1557. He accompanied Vasari to Pisa in 1561, from when dates his earliest known drawing, Aesculapius (London, BM). Between 1563 and 1565 he was again in Florence and is documented working with Vasari, Joannes Stradanus and Giovan Battista Naldini on the ceiling of the Sala Grande (Salone dei Cinquecento) in the Palazzo Vecchio; a drawing of an Allegory of Pistoia (Florence, Uffizi) is related to the ceiling allegories of Tuscan cities. In 1564 Zucchi entered the Accademia del Disegno and contributed to the decorations erected for the funeral of Michelangelo. He travelled to Rome with Vasari and was his chief assistant on decorations in the Vatican in 1567 and 1572,






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